When a body is found stuffed down a well in the basement of the Rue Theatre, young detective team Hazel Wong and Daisy Wells know only they can solve the mystery.
It’s 1936. The place is London. Amateur sleuths fourteen-year-old Hazel Wong and fifteen-year-old Daisy Wells are staying with Daisy’s uncle Felix and aunt Lucy. To keep the girls busy and out of trouble, it’s decided to pack them off to the Rue Theatre. Aunt Lucy has some connections there and manages to land the girls bit parts in an upcoming production of Shakespeare’s Romeo and Juliet.
They meet Frances Crompton, the owner of the Rue, and are soon enchanted by the magic of the theatre. But as they get to know the cast and other backstage members, they sense tensions bubbling away. Rose Tree, the actress playing Juliet, is tempestuous and has rubbed a few people up the wrong way. The fiery yet beautiful Martita, a Portugese actress playing Nurse, loathes Rose. Other actors, the American Simon Carver and handsome Lysander Tollington, playing Romeo, also have rocky relationships with her. The plot thickens as threatening notes start turning up, targeting Rose.
Something terrible is brewing. Hazel and Daisy fear they will have to open their famous Detective Society for business again. The full horror of their suspicions is revealed when a body is found stuffed head-first down the well in the theatre’s basement. Who could have done it? So many had a motive for murder.
For adults reading this brilliantly paced and plotted children’s novel, it may feel like a spoof of the Agatha Christie / Dorothy L. Sayers crime genre. This reviewer couldn’t stop chuckling away at the campy, shock-horror plot developments and character histrionics. In one scene, the forthright Daisy addresses leading man Lysander with, “Step aside! If you please.” The cast is well drawn and nicely varied, from old timer Jim Cotter who mans the stage door to the flamboyant director, Inigo Leontes. The doll-like and garrulous Annie Joy, the wardrobe mistress, is a hoot. Interestingly, Robin Stevens weaves several gay characters into the plot, but it’s done so well it doesn’t jar. Hazel and Daisy are quite progressive when it comes to such matters and see the law penalising homosexual activity as so much stuff and nonsense.
It’s perhaps best to describe Death in the Spotlight as a hugely entertaining romp, one that perfectly captures the mood, language and characters of the British crime genre of the 1930s. At close to 400 pages, the suspense, laughs and good cheer never let up. Great fun and highly recommended!
Death in the Spotlight, by Robin Stevens. Published by Puffin. RRP: $16.99
North Melbourne Books